Tailored fundraising & development solutions for arts, culture, heritage and social justice organisations.

Rosmer Lockhart

Tailored fundraising & development solutions for arts, culture, heritage and social justice organisations.

Rosmer

Lockhart

Tailored fundraising & development solutions for arts, culture, heritage and social justice organisations.

Rosmer

Lockhart

About Us

Rosmer Lockhart Associates (RLA) supports arts, culture, heritage and social justice charities who want to make themselves more financially sustainable. We work with you, listening & understanding to assess capacity, help define priorities, support development of fundraising practice and ultimately improve income generation.

Our aim is for clients become more resilient, entrepreneurial, and confident. We foster these qualities so clients can shape and share powerful stories about the vital role their charities and non-profits play for everyone.

In addition to the core services offered, RLA is part of a network of experienced professionals covering impact & evaluation, cultural consultancy, project management, marketing & PR, as well as graphic & web design, providing access to a range of skills to turn aspirations into reality.  

It is a privilege and a pleasure to work with people and organisations willing to reflect, realign and become proactive about their futures.

To arrange a free no obligation conversation to identify how we can help, drop us an email

We would love to hear from you.

Background
Rosmer Lockhart Associates was founded in January 2025, solidifying decades of diverse experience.

Over two decades, Kate, Director of RLA, has secured funding from a diverse range of sources and driven growth for cultural, creative, and educational institutions. At the University of Nottingham, she secured significant gifts and built strategic corporate and alumni relationships, supporting Lakeside Arts, Ingenuity Impact, and medical research.

Previously Director of Business Development at New Art Exchange, she played a key role in securing major funding, including a £4.7 million ERDF grant for the Big House creative industries programme, following her successful design and delivery of Real Creative Futures.

A trained ILM Level 5 coach, Kate has supported 120+ creative businesses and coached cultural leaders, civil servants, and development professionals.

At the National College for School Leadership, she scaled a headteacher coaching programme nationally and later joined the University of Nottingham’s coaching pool, supporting colleagues at all levels.

As Design Review Panel Manager (East Midlands), Kate partnered with English Heritage to deliver Building in Context and founded the National Design Review Network with CABE. Her long-standing interest in philanthropy and civic life includes roles with Sheffield Civic Trust and Allen Tod Architecture, coordinating bids and public art commissions.

As a development consultant, Kate supports small and medium-sized charities and not-for-profits, applying her expertise in cultural policy, business management, fundraising, facilitation and coaching. 

To find out how we can work together, get in touch for a free discovery call
Suggestions pour étoffes et tapis Pl.06 (1923), The image shows a textile or wallpaper design featuring a variety of stylized floral patterns. The design is divided into distinct sections, each showcasing a different floral motif and color scheme. Top Section: This section displays a repeating pattern of abstract flowers or berries in shades of red, purple, and white. The shapes are somewhat geometric, with pointed leaves or petals surrounding round, purple-centered blooms. Middle Left Section: This part features larger, blue, bell-shaped flowers with gray-green leaves against a bright green background. The flowers appear to be hanging or drooping, and the leaves are detailed with visible veins. Bottom Right Section: Here, the design consists of red and white stylized roses set against a background of muted blues and grays. The roses are depicted in a somewhat graphic, almost woodcut-like style.
To find out how we can work together, get in touch for a free discovery call
Suggestions pour étoffes et tapis Pl.06 (1923), The image shows a textile or wallpaper design featuring a variety of stylized floral patterns. The design is divided into distinct sections, each showcasing a different floral motif and color scheme. Top Section: This section displays a repeating pattern of abstract flowers or berries in shades of red, purple, and white. The shapes are somewhat geometric, with pointed leaves or petals surrounding round, purple-centered blooms. Middle Left Section: This part features larger, blue, bell-shaped flowers with gray-green leaves against a bright green background. The flowers appear to be hanging or drooping, and the leaves are detailed with visible veins. Bottom Right Section: Here, the design consists of red and white stylized roses set against a background of muted blues and grays. The roses are depicted in a somewhat graphic, almost woodcut-like style.
To find out how we can work together, get in touch for a free discovery call
Suggestions pour étoffes et tapis Pl.06 (1923), The image shows a textile or wallpaper design featuring a variety of stylized floral patterns. The design is divided into distinct sections, each showcasing a different floral motif and color scheme. Top Section: This section displays a repeating pattern of abstract flowers or berries in shades of red, purple, and white. The shapes are somewhat geometric, with pointed leaves or petals surrounding round, purple-centered blooms. Middle Left Section: This part features larger, blue, bell-shaped flowers with gray-green leaves against a bright green background. The flowers appear to be hanging or drooping, and the leaves are detailed with visible veins. Bottom Right Section: Here, the design consists of red and white stylized roses set against a background of muted blues and grays. The roses are depicted in a somewhat graphic, almost woodcut-like style.

Services

Many charities and not-for-profit organisations operate in an increasingly challenging funding and policy environment. 

We can help navigate this.
How? We listen, assess, discuss and propose a course of action working with you and your capacity.

The services we provide include:
The image shows a print titled "Säbelhelden" (Sword Heroes) by Karl Wiener. It depicts three silhouetted figures against a yellow circle, possibly representing the sun or moon, with a dark, cross-hatched background. The figures appear to be raising swords or sabers.
Coaching, Leadership & Organisational Development

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"Composition VI" is an abstract oil painting by Wassily Kandinsky, created in 1913. It is characterized by a chaotic arrangement of lines, colors, and shapes, lacking any discernible objects or figures. Kandinsky's intention was to evoke emotions and spiritual experiences through non-representational forms, rather than depicting the external world.
Fundraising &
Income Generation

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The image is a reproduction of Paul Klee's 1939 artwork titled "Blue Bird Pumpkin". The painting features a blue bird and a blue pumpkin against a brown background, rendered in a simplified, almost childlike style. The bird is depicted with a crested head, a long beak, and stylized wings and legs, while the pumpkin is round with a short stem and a few dots, possibly representing seeds or markings.
Business & Strategic Development

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Coaching, Leadership & Organisational Development

Fundraising & Income Generation

Business & Strategic Development

The image shows a print titled "Säbelhelden" (Sword Heroes) by Karl Wiener. It depicts three silhouetted figures against a yellow circle, possibly representing the sun or moon, with a dark, cross-hatched background. The figures appear to be raising swords or sabers.
Coaching, Leadership & Organisational Development
The image shows a print titled "Säbelhelden" (Sword Heroes) by Karl Wiener. It depicts three silhouetted figures against a yellow circle, possibly representing the sun or moon, with a dark, cross-hatched background. The figures appear to be raising swords or sabers.
Coaching, Leadership & Organisational Development

READ MORE

READ MORE

"Composition VI" is an abstract oil painting by Wassily Kandinsky, created in 1913. It is characterized by a chaotic arrangement of lines, colors, and shapes, lacking any discernible objects or figures. Kandinsky's intention was to evoke emotions and spiritual experiences through non-representational forms, rather than depicting the external world.
Fundraising &
Income Generation
"Composition VI" is an abstract oil painting by Wassily Kandinsky, created in 1913. It is characterized by a chaotic arrangement of lines, colors, and shapes, lacking any discernible objects or figures. Kandinsky's intention was to evoke emotions and spiritual experiences through non-representational forms, rather than depicting the external world.
Fundraising &
Income Generation

READ MORE

READ MORE

The image is a reproduction of Paul Klee's 1939 artwork titled "Blue Bird Pumpkin". The painting features a blue bird and a blue pumpkin against a brown background, rendered in a simplified, almost childlike style. The bird is depicted with a crested head, a long beak, and stylized wings and legs, while the pumpkin is round with a short stem and a few dots, possibly representing seeds or markings.
Business & Strategic Development
The image is a reproduction of Paul Klee's 1939 artwork titled "Blue Bird Pumpkin". The painting features a blue bird and a blue pumpkin against a brown background, rendered in a simplified, almost childlike style. The bird is depicted with a crested head, a long beak, and stylized wings and legs, while the pumpkin is round with a short stem and a few dots, possibly representing seeds or markings.
Business & Strategic Development

READ MORE

READ MORE

Who we've worked with
What they say
What they say
What they say
"Kate’s coaching has been instrumental in the development of Nonsuch, from the very early days to more recent activity. We have benefitted from her support at pivotal points where difficult decisions needed to be made. Kate asked the right questions to help us hone in on what we really needed to address. This has freed us up to be a more agile organisation that delivers where & how we’re needed."

"Kate’s coaching has been instrumental in the development of Nonsuch, from the very early days to more recent activity. We have benefitted from her support at pivotal points where difficult decisions needed to be made. Kate asked the right questions to help us hone in on what we really needed to address. This has freed us up to be a more agile organisation that delivers where & how we’re needed."

"Kate’s coaching has been instrumental in the development of Nonsuch, from the very early days to more recent activity. We have benefitted from her support at pivotal points where difficult decisions needed to be made. Kate asked the right questions to help us hone in on what we really needed to address. This has freed us up to be a more agile organisation that delivers where & how we’re needed."

Edward Boott

Artistic Director & CEO, Nonsuch Studios

"In a shifting funding landscape, Kate supported us to develop corporate relationships that meet the needs of everyone involved. Her values driven approach means that she quickly identifies compatible partners and her understanding of fundraising and management of gifts allows us to meet the wishes of the donor while delivering our programme and reporting to them effectively on impact."

"In a shifting funding landscape, Kate supported us to develop corporate relationships that meet the needs of everyone involved. Her values driven approach means that she quickly identifies compatible partners and her understanding of fundraising and management of gifts allows us to meet the wishes of the donor while delivering our programme and reporting to them effectively on impact."

"In a shifting funding landscape, Kate supported us to develop corporate relationships that meet the needs of everyone involved. Her values driven approach means that she quickly identifies compatible partners and her understanding of fundraising and management of gifts allows us to meet the wishes of the donor while delivering our programme and reporting to them effectively on impact."

Clair Mulholland
Claire Mulholland

Director, Ingenuity Impact 

"Kate identified a number of potential funders that aligned very closely with our objectives and allowed us to identify ways to meet these. As a result, we’ve now developed our plans to a point where we understand just what is needed to make improvements to the visitor experience. It has been extremely helpful to discuss what we want to achieve with someone so positive and knowledgeable about the sector."

"Kate identified a number of potential funders that aligned very closely with our objectives and allowed us to identify ways to meet these. As a result, we’ve now developed our plans to a point where we understand just what is needed to make improvements to the visitor experience. It has been extremely helpful to discuss what we want to achieve with someone so positive and knowledgeable about the sector."

"Kate identified a number of potential funders that aligned very closely with our objectives and allowed us to identify ways to meet these. As a result, we’ve now developed our plans to a point where we understand just what is needed to make improvements to the visitor experience. It has been extremely helpful to discuss what we want to achieve with someone so positive and knowledgeable about the sector."

Ben Howarth

CEO, Lakeside Arts

What they say
To find out how we can work together, get in touch for a free discovery call
Suggestions pour étoffes et tapis Pl.06 (1923), The image shows a textile or wallpaper design featuring a variety of stylized floral patterns. The design is divided into distinct sections, each showcasing a different floral motif and color scheme. Top Section: This section displays a repeating pattern of abstract flowers or berries in shades of red, purple, and white. The shapes are somewhat geometric, with pointed leaves or petals surrounding round, purple-centered blooms. Middle Left Section: This part features larger, blue, bell-shaped flowers with gray-green leaves against a bright green background. The flowers appear to be hanging or drooping, and the leaves are detailed with visible veins. Bottom Right Section: Here, the design consists of red and white stylized roses set against a background of muted blues and grays. The roses are depicted in a somewhat graphic, almost woodcut-like style.
To find out how we can work together, get in touch for a free discovery call
Suggestions pour étoffes et tapis Pl.06 (1923), The image shows a textile or wallpaper design featuring a variety of stylized floral patterns. The design is divided into distinct sections, each showcasing a different floral motif and color scheme. Top Section: This section displays a repeating pattern of abstract flowers or berries in shades of red, purple, and white. The shapes are somewhat geometric, with pointed leaves or petals surrounding round, purple-centered blooms. Middle Left Section: This part features larger, blue, bell-shaped flowers with gray-green leaves against a bright green background. The flowers appear to be hanging or drooping, and the leaves are detailed with visible veins. Bottom Right Section: Here, the design consists of red and white stylized roses set against a background of muted blues and grays. The roses are depicted in a somewhat graphic, almost woodcut-like style.
To find out how we can work together, get in touch for a free discovery call
Suggestions pour étoffes et tapis Pl.06 (1923), The image shows a textile or wallpaper design featuring a variety of stylized floral patterns. The design is divided into distinct sections, each showcasing a different floral motif and color scheme. Top Section: This section displays a repeating pattern of abstract flowers or berries in shades of red, purple, and white. The shapes are somewhat geometric, with pointed leaves or petals surrounding round, purple-centered blooms. Middle Left Section: This part features larger, blue, bell-shaped flowers with gray-green leaves against a bright green background. The flowers appear to be hanging or drooping, and the leaves are detailed with visible veins. Bottom Right Section: Here, the design consists of red and white stylized roses set against a background of muted blues and grays. The roses are depicted in a somewhat graphic, almost woodcut-like style.

What services are you most interested in?

What services are you most interested in?

What services are you most interested in?